Death has a soul. I say this because I've seen Death closely. If you're a Hindu, you know that the soul leaves behind a body just like old clothes, in search of another. If you're a Hindu and you've ever been to a crematorium, then you definitely know this. You know this because it's written in big bold letters in a crematorium. The soul is immortal and can not be harmed, fire can not burn it, water can not wet it and air can not dry it. You can slay the body but you can not slay the soul.
I turn on the power of the electric furnace to heat it up. The coils take nearly an hour to heat to the temperature that is required to reduce a human dead body to ashes. Despite the fact that we offer a day and night service at the crematorium, we rarely work at nights. I look at the clock as it strikes twelve. Normally, the family members wait for the sun to rise before they bring their dead ones to be cremated and the smoke to rise and take their souls to heaven. As for me, it is a vague hindu practice that does not make sense. Your soul casts your body away and goes on its own path without caring for your body or your relatives. The soul is selfish. It is not me who says this, it was implied by Lord Krishna in the
Bhagvadgita.
Tonight is amavasya, a moonless night. The man who died must have been a sinner. His family must've hated him to cremate his body at midnight on amavasya. The soul of a body cremated on the night of amavasya never rests in peace. I don't say this, this was said by the elders who come to the crematorium, by the pundits who come with them for the rituals.
There is no one at the office but for me who lives here. Sometimes, I wait only to hear the chants of, "
Shree Ram, Shree Ram!" I concentrate on the softest human sound in the night. The electric furnace room starts to heat up a little. I walk past the quotes from the Gita about the aatma as I light a beedi. While I wait for the procession to arrive with the corpse, I hear the phone ring, "Kandivli Electric Crematorium?"
"Yes?"
"Are you open at nights?"
"Yes sir, we are. I've been waiting for your call."
"What is this nonsense?"
"I am sorry, I don't have the time nor patience to explain this. Please come fast."
I knew before hand that someone was going to die. Why? I don't know. Death has a soul. I've met the dead before they die. Death has a soul and I think Death died a few years back. Death is an agony aunt, Death takes you away from all your agonies. I look out at the asoka trees in the premises as they sway with the dark breeze of the night. I can see a few bulbs on at the slum behind the crematorium.
I was born in that slum. My father was a drunkard and drove a rickshaw when he was sober enough. When he was not, he beat my mom up. One morning in a drunken fit, he knocked down the vessel in which water was being heated for his bath. He burnt his foot and in a burning rage he chased my mother with a cricket stump. He swung the stump once and it flew straight hitting my mother's hand. My mother ran out of the house but by then her depression had driven her to her mental limits. She lost her mind and ran out, running into everything and everyone. My father ran out chasing her with the stump, swearing and screaming threats. She ran out of the shady darkness of the slum into the sun, into light and a truck ran her down.
An iron railing of the inclined slope connects the hall and the pathway to the electric furnace chamber. I extinguish what remains of my beedi on the iron railing. Yes, I knew that man was going to die because I remember talking to him before he died. I remember him regretting his life because he was dying. I talked to him, not consoling him but encouraging him to die, just like I do everytime. Yes, this is not the first time this has happened. Death has a soul and Death's soul like any other soul likes to change its attire.
I stare at the back wall of the crematorium to read the fifteenth chapter of the Bhagvadgita only to say it aloud without reading. This is the only piece of text my eyes have ever seen since I came here and that is a long time ago.
I remember my father lighting my mother's pyre. I stood at the gates of the crematorium, crying because that was the only moment when I realised and felt that aai had really died. I was twelve then. My father died in some religious riots in our area. Since my mother's death, I'd always thought that he was too drunk to live. When the flaming torch in my hand touched the pyre, I realised I no longer had anybody whom I was related to. There was nobody who I had to care about and nobody who cared about me. My sister was married to a school peon in Nasik and I rarely visited her. She came to Bombay once in a year but they never stayed at our house. We had one customary dinner at a hotel combining raksha bandhan and bhaau-dooj. I was eighteen when my father died and I didn't know where to go. I couldn't go back to my house because there was no one I had to go back to. I sat outside the main building of the crematorium and sobbed.
I had nothing to do in all the time that I had for myself. I would sit at the crematorium steps to watch people. I don't know why I did that but it made me feel airy and light. I would feel that the dead wanted to communicate but they were given no chance. People were hurrying them in without waiting to listen to them. I felt that if given enough time, then the corpse would start talking.
At the crematorium, there worked an old cleaner, Rajendra. At times, I would lend him a hand in whatever he was doing. Soon enough, I got used to the atmosphere and the atmosphere got used to me. Everyone knew me like I was just another employee. After a few months when Rajendra retired, by default the job officially became mine. Officially meaning that I would be paid for the work I did.
In the silence of the night as my ears strain to hear the chants, I don't hear a thing. That surprises me. They should've been here by now. This is strange. I take a stroll down the inclined slope and walk to the entrance of the building. I was about to light another beedi when I heard a silent procession walk towards the crematorium. I throw down my unlit beedi and head back. At the entrance of the chamber room, I dish out instructions of what to do and what not to do, what is allowed with the body and how many are allowed in the furnace room.
The procession climbs up the inclined slope from the hall to the entrance of the furnace room. I've already begun my charade, my professional facade. It's different when you've just had a heart-to-heart with the person who just died. I order them, "No shawls, no flowers, no garlands..." Before I finished that sentence, they lower the body and keep it on the floor. There are no flowers, garlands and no shawls. There was no sign of any religious rite or homage being paid to the dead man. Instead, two garlands; one of burnt rubber chappals and the other of stones, decorated the body. The man was right, no one really loved him. I am surprised Death doesn't know anything about the people around the man who dies and has to take his word for the truth. This man had gobs of saliva on his face, some streaks of paan stains on his body too.
The brutality of this killed me. I have never seen this in my short tenure as Death. Yes, I am Death. I am the harbinger of new life. I am the cause of the apparent end. I am the one spoke that runs this wheel of life. I am Death because I know who dies and when. I am still not Death 'officially'. Soon I will be, just like I became the caretaker of this electric crematorium.
I asked them to show the death certificate. After confirming the required document, I okayed the cremation. This is usually done by the government officer who comes here in the mornings but in his absence I am allowed to do this.
Death has a soul. It resides in me now. I am the new pair of clothes that Death bought when it last died. I am the child, to be nurtured, to grow up to become mature and efficient Death. I am Death. I am Death, reincarnated. I am Death, the messiah of the end, your end. I am Death, the one whom you talk to in those last moments where you recall your entire life. I am Death, I take you to your judgement. I am Death, your door-to-door service to the next birth.
Looking at my astonished face, one of the men turned to me, "Stop staring and get to work."
In a daze, I walk away from the corpse to prepare the trolley that carries the corpse into the furnace. I turn to the people and say, "Please remove the chappals and the stones. That won't be allowed in there." I point to the electric furnace. It is for the first time that I underestimated the intensity of emotion that the people would feel towards a man who died.
Everytime a dying person talks me, he has an exaggerated view of what emotion people feel towards him. I never contradict them, I only listen. Some people talk about how they've always disappointed everyone and how no one will turn up at their funeral. I smile and I listen. I offer my condolences and prepare for their funeral pyre.
Subtracting the right amount of exaggeration from what he said to me, I set my estimates of hatred accordingly. This was not what I expected. This is far more than even what he expected. No matter how much you hate a person, when he dies, you respect the phenomenon of Death and be nice to the dead. The unsettled myself inside me started settling down. I started ordering them to place his body on the cane stretcher that we use for cremation.
The process doesn't take long, his body is ready to be pushed into the furnace. I look around and ask the people, "Anyone from his family would like to touch the trolleys as it rolls inside symbolising torching of his pyre?"
"No," says one of them.
Settled amongst their hatred, I shrug and push the button which opens the furnace door. People turn away from the heat. Most of them start walking away. Few of them stay back to see the body enter the furnace. The heat from the furnace warms the cold rainy night a little. The sight of the orange flames inside, make my eyes feel good amidst these shades of black, blue and grey. As the body enters the furnace, I push another button that closes the furnace door. I look at them, "To collect the asthis please stay back for an hour. I'll cool them down and keep them ready."
"There's no need for that. We're not going to wait."
"Then please sign the register if you want us to keep it for more than twenty four hours before someone collects it. Also deposit a photocopy of the death certificate."
A man rudely says, "There is no need for that. We don't want the ashes. You may keep them as long as you want to or throw them in the gutter." The man hands me a five hundred rupee note saying, "Here's the chai paani which I think you would've asked for. Finish our job." I pocket the note out of habit but I know I will think about it later.
In a few minutes the crematorium was just as empty as it was when I started talking to you. Once again, one could hear the monsoon winds howl. The only other sound that increased the density of the air around me was the sound of the furnace. The furnace makes particular sounds at every state. It makes a different sound when there is something burning inside and it makes a different sound when it's heating up. The sound when there's nothing inside is different again. The transition between all the sounds is very slow and subtle. It takes trained ears to pick up and understand the current state of the furnace.
As soon as I light another beedi, I feel the difference in the pitch of the noise made by the furnace. I turn off the furnace allowing it to cool. I don't bother to pull out the trolley to collect the ashes because I can do that later too. My fingers rub my sticky skin as I inhale the sooty fragrance. The fragrance becomes addictive when you're Death. You smell it all the time, all around you. That is when I see a man standing at a corner of the hall right where it said, "Sribhagavana uvaca..."
"You didn't leave with the rest? Or there is some sympathy still living in men?" I ask mockingly.
"I wanted to talk."
"You wanted to talk? With me? Why?"
With a calm and probably serene smile the man walks towards me, taking each step like he was stepping on mines and he didn't care if they exploded. Then, he looks at me and says, "Because I see a different intensity in your eyes. I see some truth that you're trying not to show."
"I don't know why you're saying what you're saying but you're not making any sense." I am beginning to feel strange. I feel naked as he looks at me and smiles. I feel like he can see through everything. All of a sudden the warmth of the furnace dies and there's a cold wind blowing through the hall. The lit end of my beedi flares up in the wind.
"I've been noticing you. You have a particular way of work, you make me feel like you know the man who died. There is a sprinkled amount of a detached attachment.
His eyes still piercing their way into my soul like they're looking for something. I tell him, "You mean to say that I must've met the man at some point in my life?"
"Yes. Perhaps, it's more like you've seen him somewhere but you're not straining to recollect who it is. You're just letting it be since you know he is dead."
I drop my beedi and crush it with my rubber slippers. In the silence, the wind makes the trees weep. Something about this whole situation makes me smile and I start walking towards the man. The calm on his face doesn't show any haste to know what he wanted to. Suddenly, a vague callousness starts to have its way with me. I sit down on one of the chairs and light another beedi. The man comes and sits next to me. I ask him, "Who are you?"
"Why does it matter?"
"It is not a good omen to stay back on the cremation grounds after the body is burnt. I don't say this, the learned pundits do."
"So, why do you stay here?"
"I belong here."
"Why do you think so?"
"Let's not get there."
"But that's where I want to go."
"I think you should go home."
"I am in no hurry."
I give up and ask him, "What do you want to know?"
"Don't you feel like you're death?"
Taken aback, I ask, "Who are you? What are you talking about?"
The man smiled and said, "Don't get me wrong, wait, let me reframe the question. See, technically, when they die, they come to you. They're pulled towards you by death. Pushing the point a little further, can't you be assumed to be death personified?"
"You think a lot, more than a human is required to."
"Why don't you want to?"
"It's not my job."
"Then is your job only to be death? Is your job only to kill these poor people?"
"I didn't kill them!"
"But you're Death! We just concluded that you are. You're the cause of their death. You're the phenomenon personified. You're the reason these people die. I came to you too! What did you tell me? You did not give me hope to live! You asked me to die."
The beedi slips off my lips and burns my hand. I don't know what to say. I scream out, "Who are you?"
"Do you tell everyone to die? Is this what you live for?"
"WHO ARE YOU?" A blanket of fear wraps me in itself but in that instant I feel a courage rise inside me, I am Death. What am I fearing? The expression on my face fades into a smile.
"Don't you remember me? Don't you see the faces of the people you kill? Are you so bored of your job, come let me relieve you."
I smile again just like he did when he started this conversation. His face now is covered with lines of fury, "You fooled me into dying."
"I didn't, you were about to die. You came to me only when you had to die. People call me, they talk to me only when they're about to die. You die yourself. I am there only for a final confirmation. I am the medium not the phenomenon."
"Who are you?" The polarities have reversed now.
"I'd rather know who you are." I ask him as I smile.
"My ashes haven't even cooled down."
"What? You can't be that person. If you are, then you have no right to avenge your humiliation. I am not responsible for that." He starts laughing as soon as he hears me say that. It feels like he sees fear in my calm eyes. I am not afraid. I know I am Death.
Finally after some laughter and some silence, he says, "Who do you think you are?"
"I... am Death. Since you're dead, you might as well know it."
He starts laughing again, "Say that again."
"I AM DEATH! The inevitable! You can't run away from me. I am your sole purpose in life." That is when I gave a dramatic pause and make a mocking remark, "I was your sole purpose in the life that has gone by. You're dead!"
"So you're sure I'm the man whom you cremated?"
"You said it."
"And you believed me because I said it? You claim to be Death even when you don't know whom you helped die?"
"Death is too busy to remember so much. Death is my soul, I am the body."
"So... you're sure you are Death, but of course, a milder mortal version of the soul of Death?"
"I helped you die. You need any more evidence?"
He smiled, and the warmth that had vanished, returned in a burst. All he said after that was, "Then who am I?"
* * *